i am interested in (bodily/somatic) spills, seepages, leakages, and secretions - not necessarily in literal liquids/fluids, but in the ways that movement/gesture can be fluid, and the ways that bodily movements can create
“seepages” of affect and meaning.
as a queer, mixed race, multilingual person born in japan and raised in the united states, i think about (trans)muting the “untranslatable” into spaces of possibility. in other words, i am interested in the ways that the body communicates the “untranslatable,” and the ways that the body both challenges and transgresses the presupposed limits of (linguistic/verbal) translation
through physical gesture and bodily articulation.
i use the term “body” broadly; beyond a singular human body, or my own body. i do often work with my own body, but mostly for its movement.
currently/lately, i work a lot in
video installation, wherein my bodily movement is recorded/ transmuted into moving pixels, and projected onto surfaces.
often, those surfaces are unstable, disappearing,
unpredictable, or not designed to hold images. i do this because i am interested in the moving image - in the way that the image moves from within (the frame) and beyond (i.e., where it is projected/cast/screened).
my practice deals with how we inhabit, move through, form, and (re)(con)figure bodies: physical bodies, bodies of a place (geography), bodies of language (e.g. how we take up language), relational bodies (e.g. the ways in which relationships have/hold their own/unique bodily forms).
i research the persistent (re)formation of indeterminate + ungraspable bodies + conditions via movement and language.
specifically, i am interested in the ways bodies and languages -- especially queer bodies, mixed race bodies, gender fluid bodies, and “uncategorizable” bodies spill (out) across space and time as a means of resisting and refusing mechanisms of control.
i work with in/tangible materials including time, movement, and relationality to create unstable gestures that are unfixed in form but residual in the body.
i create afterimages.
with commitments to queer of color critique, performance studies, experimental dance histories, and diy archival practices, i question the acts and affects of observation, witnessing, and participation.
my work emphasizes the life and death of IRL + URL embodied networks, connective secretions, and dynamic negotiations that deal with precarity, risk, and multi/sensorial communication.
through experiential encounters mediated by the camera, i transgress the container of the physical body and practice “stepping out of the linearity of straight time,” as José Esteban Muñoz articulates in Cruising Utopia.
as both filmmaker and performer, i abstract my bodily form in an effort to expand beyond my own body - a gesture connected to Muñoz's articulations of queerness as horizon, as “something that is not yet here.”
my experimental videos are both an archive and a reaching-into the future — a series of marks made in the temporal past that leak-spill-bleed into a queer horizon.
my work also engages with “the surfaces of bodies 'surface' as an effect of the impressions left by others,” as queer feminist theorist Sara Ahmed writes in Cultural Politics of Emotion. What do histories of the self, and histories of place, impress upon us through our bodily movements, and how? how do we translate and transfer these impressions to one another, with and without touch?